GRAI believes AI can make music more social, not replace artists
AI music startup GRAI says fans want to remix tracks, not generate songs from scratch.
Today’s AI music startups, like Suno and Udio, offer technology that leverage artifical intelligence for music generation. But a new company, GRAI , believes that most people don’t want to use AI to generate music from scratch — they’d rather do other things like remix tunes, share them with friends, or play around with tracks by doing things like changing a track’s style, just for fun.
Of course, whether or not an artist wants anyone to play around with their tracks, or to what extent, is something they should get to decide.
Music lab GRAI, now backed by a $9 million seed round, wants to put that control in artists’ hands, while also capitalizing on the power of AI to transform how consumers engage with music.
The company, built by Belarusian founders who previously sold their video creation app VOCHI to Pinterest , is experimenting with new AI music products. Today, this includes apps like the remixing app Music with Friends for iOS and another AI music playground for Android . These apps, and others that may ship in the future, will help to inform the company how consumers want to engage with music beyond AI-enabled creation or listening alone.
“The idea that we’re building the company around is what the next thing can be in music AI interaction and consumption,” explains GRAI co-founder and CEO Ilya Liasun , who is currently based in Poland alongside much of the team. He says the main reason the founders started GRAI is that music has become one of the last major consumer categories that hasn’t gone “creator-first.”
“We have problems — discovery is broken, listening is passive, and social context is almost non-existent,” Liasun notes.
Meanwhile, he doesn’t think that AI will kill artists and labels, as some fear. Instead, the team at GRAI believes that AI could lead to new ways to engage with music, beyond just creating a tune through generative AI technology.
The company intends to aim its products at Gen Z and Gen Alpha users who tend to discover new music through culture, meaning friends, fandoms, and through short-form content, like TikTok. These users don’t want to be creators or music producers; they just want to participate somehow.
To power its social apps, GRAI developed its own taste and participation graph as well as its own infrastructure. It’s building a “derivatives pipeline” as well as real-time audio systems that will preserve the identity of original tracks while allowing them to be transformed.
As Liasun puts it, the company’s goal is to work with artists and their labels to make this type of activity legal. And the end result isn’t more unwanted AI music.
“We don’t want to share new genAI slop to the streaming service. We actually focus on the interaction part,” Liasun says.
The idea is that users could play with tracks inside GRAI’s apps, perhaps remixing a favorite tune, or changing its style. Ultimately, those modified tracks could create a new source of royalty payments to the artists and labels.
The company says it didn’t start building its social apps before going to the labels for permission. Instead, notes Liasun, it’s talking to the labels first.
“The main idea here is that we want to build a future system in which artists will have the ability to opt in and opt out.” That, he says, is a core belief at GRAI: “first, ask owners, and then integrate it.” (Liasun declined to disclose if it already has agreements in place or with what companies.)
If this type of music remixing activity becomes popular, GRAI believes it could help people discover new artists and songs outside of larger platforms like Reels, TikTok, or YouTube.
With its initial apps, GRAI hopes to receive consumer feedback — even negative feedback — to help it find out what works and what doesn’t.
The company , co-founded by CTO Dima Kamarouski and Andrei Avsievich (President), is now backed by $9 million in seed funding in a round co-led by Khosla Ventures and Inovo vc. Other investors also participated, including Tensor Ventures, Tiny.VC , Flyer One Ventures, a16z Scout Fund, and various angels, such as Andrew Zhai (ML in Cursor, co-founder of Genova Labs, ex-Pinterest); Greg Tkachenko (founder of Unreal Labs, ex-Snap); Rob Reid (Founder of Rhapsody), and Dima Shvets (of MirAI and Reface).
StrictlyVC kicks off the year in SF. Get in the room for unfiltered fireside chats with industry leaders, insider VC insights, and high-value connections that actually move the needle. Tickets are limited.
Tim Cook stepping down as Apple CEO, John Ternus taking over Amanda Silberling
Tim Cook stepping down as Apple CEO, John Ternus taking over
Tim Cook stepping down as Apple CEO, John Ternus taking over
Blue Origin’s New Glenn put a customer satellite in the wrong orbit during its third launch Sean O'Kane
Blue Origin’s New Glenn put a customer satellite in the wrong orbit during its third launch
Blue Origin’s New Glenn put a customer satellite in the wrong orbit during its third launch
Palantir posts mini-manifesto denouncing inclusivity and ‘regressive’ cultures Anthony Ha
Palantir posts mini-manifesto denouncing inclusivity and ‘regressive’ cultures
Palantir posts mini-manifesto denouncing inclusivity and ‘regressive’ cultures
‘Tokenmaxxing’ is making developers less productive than they think Tim Fernholz
‘Tokenmaxxing’ is making developers less productive than they think
‘Tokenmaxxing’ is making developers less productive than they think
Anthropic launches Claude Design, a new product for creating quick visuals Aisha Malik
Anthropic launches Claude Design, a new product for creating quick visuals
Anthropic launches Claude Design, a new product for creating quick visuals
Anthropic CPO leaves Figma’s board after reports he will offer a competing product Tim Fernholz
Anthropic CPO leaves Figma’s board after reports he will offer a competing product
Anthropic CPO leaves Figma’s board after reports he will offer a competing product
After sale of its shoe business, Allbirds pivots to AI Sarah Perez
After sale of its shoe business, Allbirds pivots to AI
After sale of its shoe business, Allbirds pivots to AI
Pontos-chave
- A GRAI foca na interação social em torno da música, atendendo à demanda de jovens por experiências colaborativas.
- A empresa pode democratizar a criação musical no Brasil, permitindo que mais pessoas participem do processo criativo.
- A preservação da identidade das faixas originais é crucial, especialmente em um país com rica diversidade musical.
Análise editorial
A iniciativa da GRAI de focar na interação social em torno da música, em vez de simplesmente gerar faixas do zero, reflete uma mudança importante no setor de tecnologia musical. No Brasil, onde a música é uma parte integral da cultura, essa abordagem pode ressoar fortemente com os jovens, especialmente a Geração Z e Geração Alpha, que buscam experiências mais colaborativas e sociais. A capacidade de remixar e compartilhar músicas pode incentivar a criatividade e a participação ativa, ao invés de uma relação passiva com o conteúdo musical.
Além disso, a GRAI está posicionando-se em um mercado que ainda está em desenvolvimento no Brasil. Com a crescente popularidade de plataformas de streaming e redes sociais, a proposta de uma "pipeline de derivados" e sistemas de áudio em tempo real pode abrir novas oportunidades para artistas locais e independentes. Isso pode democratizar o acesso à criação musical, permitindo que mais pessoas se envolvam na produção de música, mesmo que indiretamente.
A preocupação com a preservação da identidade das faixas originais é um ponto crucial. No Brasil, onde a diversidade musical é vasta, garantir que a essência das músicas seja respeitada durante o processo de remixagem pode ser um desafio, mas também uma oportunidade para inovar. A GRAI deve estar atenta às nuances culturais e às expectativas dos artistas brasileiros, que podem ter visões diferentes sobre como suas obras devem ser tratadas.
Por fim, a GRAI pode servir como um modelo para outras startups no Brasil que buscam integrar IA em suas ofertas. A ênfase em criar um ecossistema onde artistas e ouvintes possam interagir de maneira mais significativa pode inspirar novas soluções e serviços que atendam às demandas de um público cada vez mais conectado e colaborativo. O que se observa aqui é uma tendência que pode moldar o futuro da música e da tecnologia no Brasil, à medida que mais empresas buscam maneiras de inovar nesse espaço dinâmico.
O que esta cobertura entrega
- Atribuicao clara de fonte com link para a publicacao original.
- Enquadramento editorial sobre relevancia, impacto e proximos desdobramentos.
- Revisao de legibilidade, contexto e duplicacao antes da publicacao.
Fonte original:
TechCrunch AISobre este artigo
Este artigo foi curado e publicado pelo AIDaily como parte da nossa cobertura editorial sobre desenvolvimentos em inteligência artificial. O conteúdo é baseado na fonte original citada abaixo, enriquecido com contexto e análise editorial. Ferramentas automatizadas podem auxiliar tradução e estruturação inicial, mas a decisão de publicar, a revisão factual e o enquadramento de contexto seguem responsabilidade editorial.
Saiba mais sobre nosso processo editorial